
What Does a Common Grackle Sound Like?
What does a common grackle sound like?
Until recently, I had never asked that question. In fact, I had never consciously noticed a common grackle at all. Most days, my husband and I take our dog for a walk to get our steps in. We follow the same route with the same goal: move our bodies, clear our minds, and create a few minutes to reconnect about our day. The walk is familiar and steady, and that familiarity is part of its appeal.
But yesterday, something small shifted the experience.
A friend suggested we download the Merlin Bird ID app, developed by the Cornell Lab of Ornithology. The app is designed to help people answer a simple question: what’s that bird? We downloaded it casually, not expecting much more than a quick novelty. Instead, it changed the way we listened.
As we began walking, the app started identifying birds based on the sounds around us. Names appeared on my screen as different calls echoed from trees and rooftops. Species we had never considered were suddenly present and specific. We found ourselves slowing down, listening more carefully, and looking up instead of straight ahead.
When “common grackle” appeared on the screen, I paused. I had no idea what a common grackle sounded like, and yet there it was, apparently nearby. The sound itself was not particularly melodic. It was sharp, almost metallic, sometimes compared to a creak or a rusty hinge. Once I knew what I was listening for, I began hearing it repeatedly. The birds had not changed. My awareness had.
What struck me most was not the identification itself, but the shift in attention. For years, I had walked through the same soundscape without really hearing it. The app did not create curiosity for me; it guided it. It offered context. It prompted observation. It helped me move from background noise to focused noticing.
My conversations with my husband began to shift to how this concept might be brought into the classroom.
We often say that we want students to be curious. We encourage them to ask questions, to explore, to think creatively. Yet curiosity rarely appears on command. It emerges when something catches our attention and invites us to look more closely.
In many ways, the app functioned like a teacher. It did not simply deliver answers. It structured my attention. It connected what I was hearing to a broader context. It made the invisible visible and the overlooked meaningful.
In classrooms, we can do the same. Before asking students to brainstorm solutions or generate ideas, we can help them notice more deeply. We can invite them to slow down and examine what they think they already understand. In science, this might mean carefully observing a familiar phenomenon before explaining it. In literature, it might involve rereading a passage to uncover patterns in language. In art or design, it could mean studying form and structure before creating something new.
Creative thinking does not begin with idea generation alone. It often begins with attention. On my walk, nothing about the environment changed. The route was the same. The trees were the same. The birds had likely been singing in similar patterns for years. What changed was the lens through which I experienced it.
That experience reminded me that our classrooms are already full of potential sparks for curiosity. Sometimes what students need is not more information, but a framework that helps them notice. Curiosity has the potential for growth when we provide language, context, and structured opportunities to look again. From that curiosity, deeper thinking and creativity can emerge.
So now I find myself listening differently, both on my walks and in my work. I am paying closer attention to what might be present but unrecognized. And I have also been wondering: what in our classrooms have students been hearing all along, without truly noticing?
Dr. Cyndi Burnett
My Bio
Dr. Cyndi Burnett is the Director of Possibilities for Creativity and Education. Like her creativity-focused curriculum for students and teachers, Cyndi embraces the creative lifestyle that she teaches. You will often find her trying on new ideas, exploring resources to stretch her thinking, and being an advocate for playfulness and humor. Although she loves to research and write about creativity, Cyndi is a firm believer in field service. She has 20 years of teaching experience as an academic at the International Center for Studies in Creativity at SUNY Buffalo State where she instructed classes in creative-thinking and creative problem-solving.
Cyndi is the co-author of the books Infusing Creative Thinking into Higher Education, Weaving Creativity into Every Strand of Your Curriculum, 20 Lessons for Weaving Creativity into your Curriculum, and My Sandwich Is a Spaceship: Creative Thinking for Parents and Young Children.